Can it be sacrilege to declare that the best-looking film set in Paris was shot by a few Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – and also the neoclassical edifices of Mussolini’s Rome – in great blues and shards of sunshine as sharp since https://colab.research.google.com/drive/1uOuqECQ6jeJrjgNVNnwzuHGx1fUW-_eg?hl=kk